About VWC

The Vermont Writing Collaborative is a group of teachers in Vermont (and elsewhere!) whose mission is to help all students, K - 12, write thoughtfully and effectively.
The five founding members are: Jane Miller of Burlington, Karen Kurzman of Derby Line, Eloise Ginty of Thetford, Joey Hawkins of Strafford, and Diana Leddy of Strafford. Among us, we have over 130 years of public school teaching experience at all grade levels.
In the fall of 2008, we published a book through Authentic Education (with a foreword by Grant Wiggins) called Writing for Understanding:Using Backward Design to Help All Students Write Effectively.
Since then, we have offered courses and workshops in the principles of Writing for Understanding around Vermont, Rhode Island, New Hampshire, and elsewhere.

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June, 2011 - what a grand Summer Institute! We held four different strands, and had the honor of working with both old friends and new ones. It was a joy!
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Wednesday, July 21, 2010

Response to Text Katie Sullivan Grades 3/4 Each LIttle Bird That Sings

Writing for Understanding Instruction
Teacher Plan

Teacher___Katie Sullivan___Class ___3rd/4th_ Date: Summer 2010______
Writing genre Response to Text

CENTRAL IDEAS
Content: Stories can make us feel both sadness and joy

Reading: Read aloud (using Interactive Read Aloud techniques), fluency, vocabulary development, comprehension, analysis

Writing: Response to Literature elements (introduction, focus statement, evidence paragraphs, conclusion), conventions of writing



Focusing Question How is the ending of this book both happy and sad?
Focus (answer to focusing question) This book is sad because the main character’s beloved uncle, aunt and dog all die. It is happy because she discovers new strength, understanding and tolerance for her family and her best friend.

Building Content Knowledge, Understanding of Writer’s Craft
I have compiled a list of over 36 vocabulary words from the book that could be put on a word wall. At the start of each chapter, certain words will be discussed first, others will be added along the way.

Oral processing will happen in partners as a “turn and talk” with a prompt from the story, at least once each reading session.

Note taking will be done on yellow and blue stickies, then whole class notes will be on chart paper. If needed, individual t-charts can be used for some kids.

*I might possibly do some “round robin” reading, allowing the students to orally read passages. I usually use the “stop-go” method. I will assess this as I go – it might be too time consuming with a novel this long.

Lessons will include Painted Essay, summarizing, and writing conclusions.


Structures How will students know how to organize their ideas and construct the piece of writing?
1. Painted Essay Form
2. Class generated T-charts for ideas and evidence
3. 2 teacher written models (1 from a different book and 1 from this book with a different focus).
4. Student-written benchmarks of Response to Text with annotated scores
5. Word Wall for vocabulary
6. Scoring rubrics (I would like to see a good student rubric for Response to Lit if anyone has one).

Writing / Revising How will students draft / revise so that their final writing is clearly focused, organized, and developed to show understanding of the central ideas?

1. Write introduction in partners to revise/edit.
2. Some students continue on independently, others continue in small groups.
3. Write conclusions in partner groups.
4. Refer to Conventions and Response rubrics.

Lesson Sequence
What steps will I follow so that students are able to effectively show their understanding in writing?

1. Teach the Painted Essay: using Diana’s model, I will teach the students to understand and use the Painted Essay form.
2. Show and discuss teacher-written (and/or student benchmark) model that clearly demonstrates each aspect of the essay form. Put examples on the Elmo and use the Smartboard tools to identify and highlight each component. Save and display for reference.
3. Review the skills a reader uses for “active reading:” marks up the text (in this case, use stickies), asks questions, makes predictions, visualizes, makes connections, takes notes.
4. Review the student rubrics for Response to Literature and Conventions.
5. Introduce the book: give a summary, then introduce the concept that stories can be both happy and sad. Discuss other examples. Distribute copies of the book and also packs of 2 different colored stickies. As I read aloud, students will mark places in the book where the main character feels happiness (yellow) and sadness (blue). For each chapter, we will put the examples on a class T chart. Also introduce key vocabulary words such as obituary and metamorphic before reading. Then keep a word wall for vocab words along the way.
6. Periodically through the reading, I will have partners “turn and talk” about aspects of the book such as how Comfort copes with the world around her, if you have places to go like Listening Rock, etc. As vocabulary words arise, add them to the word wall. (There are many in this book!).
7. After the reading, I will show my example of a Response to Text piece from the same book, but with a different focus statement: “Throughout this book, Comfort goes through many changes. Some of the changes she thinks are good and some are not so good.” We will discuss each element in the piece and have it available for reference.
8. Now it’s time to start writing. We will work on the introduction first. All students will use the same focus: “The ending of this story is both happy and sad.” Students will write their own summary and tie in the focus statement. We will work in pairs or small peer groups to revise and proofread.
9. Once introductions are complete, some students (especially many 4th graders) can continue on independently. Depending on level of readiness, students can insert quotes and personal connections to the book. Others needing support will work in small groups with teacher support to finish.
10. Before students write conclusions, I will do a lesson on conclusions, we’ll go back to examples and benchmarks for ideas. Then students work in partners to write their own conclusions.
11. Self-score with student rubric and teacher-score when pieces are finished.



Assessment: How are students doing? What are my next steps as a teacher?
1. Formative assessment with teacher check-ins along the way. Do students need a graphic organizer to complete their paragraphs? Do they need reminders to use the charts we’ve made and their own notes? Do they need a scribe? Are they using the stickies or just listening?
2. Students self-score and teacher scores pieces with rubrics to be added to their writing portfolios.


Next Steps: Gradual Release of Responsibility

Many students will be ready to work independently. This is especially true in a multiage classroom. It is important to build in opportunities for those kids to go ahead. As others, either 3rd graders or struggling writers, gain some skill and experience, they will require less support. Along with our special ed staff, I will make individual decisions about adding or removing supports as needed.

Other Connections:
This book is rich with themes that could be addressed. I’ll just mention a few that I am thinking about.

I will be doing a unit on geology and there are many scenes and passages in the book that take place at the “Listening Rock.” It is richly described (…”Granite and slate… maybe a little soapstone, sprinkled with limestone and quartz. Minerals galore! It’s a smorgasbord of metamorphic marvels!”)

Also, the main character, Comfort, uses writing extensively, both as a hobby and as communication. She writes obituaries (life notices), recipes, and letters. Her examples are filled with voice and details. The recipes are especially good as examples of anticipating the reader’s needs in an engaging voice.

Lastly, Comfort considers herself an explorer. She mentions Lewis and Clark, etc. She sites Discovering Our World Magazine as her source for knowledge and inspiration.

**Any comments, suggestions, rubrics or resources will be greatly appreciated. Thanks for reading my post!
-katie sullivan

6 comments:

  1. I was very curious to see how you would address the content question you mentioned in the workshop throughout your unit. It is such a wonderfully mature idea that illustrates for children about to enter the stage of their education so centered on research and facts the concept that those facts can be simultaneously interpreted in a variety of ways. I can imagine the mind expanding conversations you are going to have as you explore this important life-lesson!
    I love the differentiation built into the structure of your unit. There has to be room for each child to show you the level of help they need that day, and you seem to have contingencies in place for what is demonstrated. I also think that your central question is a wonderfully concrete prompt for a first try at the painted essay. I can see it clearly aligning with the function of each section. I am curious about what sort of conclusions your students might finish their writing with...what is the larger lesson of discovering that events can evoke conflicting emotions? Is there a larger societal message to take from this exploration of opposites?
    The description of the Listening Rock is fantastic!I wonder if this might initiate a theme around your geology unit on the skills of observation a scientist must have when looking at the natural world. I can imagine many little excursions around the school and playground as they practice observing scientifically, again leading back to the importance of being able to enunciate those descriptions in writing. Springboards abound!!!
    Thanks for the food for thought and the inspiring unit!

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  2. Katie you did a wonderful job!
    Until you brought this book to class I was not familiar with it. I love the language and the way characters intertwine. So much learning takes place through teaching tolerance. Your lessons combine all the best practices we have been taught. I was wondering how you might teach conclusions? These can be tricky since we want our writers to go beyond "in conlusion or As you can see" . All the best ~ Barbara

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  3. Hi! I love this focusing question. As Kristen mentioned, a great way to discuss for these transitional students how there can be different interpretations of the same material. Probably could be used with many texts. I was thinking about the writing model you used. I hadn't thought of using the same book with a different focusing question. I have used a different text or a previously used writig piece that students would be familar with. No reason that it wouldn't work well, as it would be a simialar structure but different content. Such a well thought out unit-happy teaching!

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  4. Hi Katie - I was looking forward to reading your plan. When we left class you were still a bit up in the air. This looks great. Focusing question really will make the students active readers. Love the idea of the yellow and blue sticky notes - perfect. Each Little Bird that Sings sounds like a very engaging book and one you feel strongly about which will help. The tie in to the other subjects is a real bonus. The chart(s) in the room will be helpful. I like the flexibility of having some students work independently. Great work - looking forward to hearing how it goes.

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  5. Katie, this is a wonderful unit. I am really interested to see how the student responses turn out...the theme of your focus question is very sophisticated for fourth graders. I love the amount of scaffolding that you are planning. Writing the introduction together and then having them work alone or in pairs will set everyone up for success. I also like the idea of connecting this book to other content areas. It seems that there are many themes and topics that can be explored through this text. I wondered what other texts you were planning on using that exemplify how stories can be both happy and sad. Great job Kaite!

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  6. from Kirsten Evans
    I would like to see your list of vocabulary if possible. You mentioned
    30 words! I would like to compare them to words I use for other books to
    see how much can be used through texts. How much would be new/review?
    I love the idea of a word wall for vocabulary. (If only there was
    unlimited space to hang things on our walls!) I want to use more turn
    and talk in my classroom this year. We have a program that uses it to
    share personal connections through informational text and this book
    would perfect for personal connections through fictional text. Great
    use of the "painted essay" through the sticky note colors blue and
    yellow. They will be a great visual way for students to find evidence
    to support the focus statement. You are correct that this book provides
    endless writing opportunity for students. Talking with you at class
    sparked ideas of writing recipes and letters. Barbara and I will have to
    fight over who gets to read this book with our students!

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